#Fugees the score cracked
#Fugees the score professional

Pras was smart enough to recognize he was the weak link musically.

The group managed to balance these three volatile personalities by carving out distinct roles that naturally highlighted their strengths while covering their weaknesses. At the time of its release, there was little else like it. The Fugees found it in music the вЂ™70s R&B and soul of LaurynвЂ™s youth, the rock and pop Pras and Wyclef gravitated to while living with their rap-hating preacher fathers, and the Caribbean-influenced hip-hop they wanted to make themselves. From their perspective, everyone seeks refuge from something their jobs, their families, police, or their own neighborhoods. As вЂњrefugeesвЂќ or even вЂњhip-hoppersвЂќ theyвЂ™d grown accustomed to being othered, but those experiences evoked as many commonalities as they did differences. вЂњProblem with no man, before Black, IвЂ™m first human,вЂќ Wyclef spits on вЂњHow Many Mics,вЂќ offering a glimpse into how the Fugees viewed their connection to the world at large. The lyrical themes werenвЂ™t that different from their debut, but in the Booga Basement, the Fugees finally sounded like themselves. He had moved into a bedroom upstairs after being kicked out of his home in Newark by his religious father for creating sinful music. They spent five months in 1995 writing and recording The Score, freed from the ticking clock of rented studio time and the watchful eye of label executives.ДЇor Wyclef, the endeavor was a 24/7 lifestyle.

#Fugees the score professional

They invested the advance in professional studio equipment and founded a creative hub for the constellation of artists in their orbit (including Rah Digga, John FortГ©, and an extremely young Akon), a home base from which Wyclef and his cousin Jerry Wonda would produce hits that would be heard around the world. Not long after the вЂњNappy HeadsвЂќ remix dropped, he played a beat originally made for-and snubbed by-Fat Joe, flipping a Ramsey Lewis sample into a boom-bap film score that inspired Wyclef to spontaneously shout his prophetic opening bar: вЂњWe used to be number 10/Now we permanent at one.вЂќ It was Lauryn that brought the вЂњLa,вЂќ riffing on hooks until she landed on Teena MarieвЂ™s 1988 hit, christening the ineffable вЂњFu-Gee-La.вЂќ The song would serve as the spiritual center of the new record, and their new sound.ДЄrmed with a $135,000 advance and complete creative control, Pras, Lauryn, and Wyclef retreated to the Booga Basement, the makeshift studio in WyclefвЂ™s uncleвЂ™s house that had become the home base for their Refugee Camp crew. The Score was birthed at those early sessions with Remi. Columbia finally got the hit they had been looking for, and the Fugees got to make another album.

#Fugees the score cracked

It quickly caught fire at New YorkвЂ™s Hot 97 (where Remi worked on Funkmaster FlexвЂ™s show) and cracked the Billboard 100. Having stripped away the tough guy faГ§ade from the albumвЂ™s original recordings, what remained was a more accurate representation of their energies WyclefвЂ™s goofy charm, LaurynвЂ™s effortless cool, PrasвЂ™ precocious wisdom.

For the first, вЂњNappy Heads,вЂќ they shed the shouty rapid-fire flows of the original, giving Wyclef and Lauryn HillвЂ™s bars room to breathe, slowing down the tempo and rebuilding the bassline with a jazzy swing. A master at blending the sounds of the Caribbean with breakbeats from the streets, Remi was recruited by Columbia to remix the next two singles in hopes of landing a hit. The 22-year old producer had made his name crafting records for hip-hop OGs like Kurtis Blow and Craig G, and remixing dancehall tracks by Shabba Ranks and Super Cat.